I started pitching my Spring Term, given it's March 1 already, the Equinox coming on the 20th.
Sunday, March 01, 2026
Spring Term
I started pitching my Spring Term, given it's March 1 already, the Equinox coming on the 20th.
Saturday, February 28, 2026
Monster U Strikes Out
We woke up to the dreaded news of Monster U outta control again.
I’m seeing Biden and Trump were human shields, too senile to really take the heat for the dummy beginner mistakes made by presidents Blinken and Rubio respectively. I’ll do more satire some other time.
Grok completely rewrote my prompt.
What Grok wrote (based on my initial input):
A cinematic movie theater screen displaying the iconic final scene from Thelma & Louise: a 1991 Ford Thunderbird convertible driven by Benjamin Netanyahu as Thelma and Marco Rubio as Louise, both in character as the heroic women, plunging off the edge of the Grand Canyon cliff into the abyss in a dramatic leap of defiance, dust and sunlight streaming dramatically, wide shot of the car mid-air against the vast canyon, the scene framed as a large movie screen in a dark theater with faint audience silhouettes, humorous and satirical political comedy style
Try it yourself? I’m outta tokens. Not everyone uses Grok, I realize, but at free tier I’ve found it generous with how many freebies it lets me choose from.
From my outbox:
From my angle both Biden and Trump were way too burned out to be key decision makers. They're just human shields, these senile presidents.What I see is Secretary Blinken, and now Secretary Rubio (doubling as NSC chief) arrogating "superpowers" (extraordinary authority, as in extra judicial) in the background, aggressing against Russia and Iran respectively, and losing big time because neither is the brainiac each supposes.
Damn, vanity sure is rampant among the so-called "leadership" (snicker).
Friday, February 27, 2026
Wednesday, February 25, 2026
Faculty Lounge Chatter
Where it looks to me Fuller was headed was towards a “geared trig” based on what he called Scheherazade numbers. With gear teeth that fine, would we ever need something finer for physics engines (models)? Instead of trailing off indefinitely, we could stay with definite terminating numbers — as we must anyway in the real world.
When it comes to visualizations on a computer screen, the threshold is pretty low i.e. there’s no way to register a difference of higher frequency than the resolution of the monitor. Under the hood though, we can carry the overhead needed to go higher precision if we need to, which is where computer algebra systems come into play.In the world of frequencies (energy world), we come down to measurement. Even though physics formulae are redolent with pi (π), we learn in high school that the uncertainty in measurement trumps theoretical “infinite precision” i.e. no one in physics needs pi to a thousand places (unless working on a pi algorithm for some reason — I like Ramanujan’s). “Nature is not using π” is akin to saying: in a discrete quantized universe, “infinite precision” is a mirage.
When I introduce Synergetics to people, one of my first moves is to talk about “namespaces”, a concept with concrete literal meaning in the Python language, but also kind of a shorthand for “subculture” (Wittgenstein: way of life). We can identify three namespaces that use the meme “4D” as in “four dimensional”.
(1) n-D, n-dimensional linear algebra, home of E8, Leech Lattices, Machine Learning and all the rest of it, very established and highly productive.
(2) 4D as 3D + Time, owing to Einstein / Minkowski. Donald Coxeter (to whom Synergetics is dedicated) is at pains, in Regular Polytopes, to distinguish Einstein’s 4D from his own n-D 4D, the 4D of extended Euclideanism (i.e. the 4D in (1)).
(3) 4D as referring to the the four directions of the tetrahedron, the most primitive polyhedron, the “ab initio” beginning for conceptuality in prefrequency (Platonic) space (Fuller’s shoptalk).
There’s a tendency to confuse (sometimes deliberately) all these different meanings of 4D, on the assumption that math is some “universal language” whereas in reality it’s an amalgam of partially overlapping namespaces, or “language games” as Wittgenstein calls ‘em.
Assuming an IVM ball of radius R, diameter D, I think what Synergetics does that’s both easy to understand and revolutionary is we trade in the R-edged cube of unit volume (XYZ, unit cube) in favor of a D face-diagonalized cube of volume 3. The inscribed tets have volume 1.
Tuesday, February 24, 2026
Friday, February 20, 2026
A Thirster in Cuba
Thirsters host Dr. Art Kohn, peppered his presentation with modest caveats, reminding us he was learning more than teaching about his topic. However, with memories of his visit to Havana still vivid, he was up for giving us his eye-witness account. The interest level was high with many attending, including Jonathan Potkin.
Wednesday, February 18, 2026
Marking Time
I might write a movie review for The Apostle, a Robert Duvall film. Rosalie mentioned liking it. I grabbed a copy from Movie Madness around the time news of Duvall’s death was percolating through social media. He plays a preacher really not well suited for anything else, except fixing cars.
There’s a pall across the land, a sense of deadness, as people come to grips with (a) having no leadership and (b) the prospect of an all-out brawl in the Middle East for no coherent reason other than tempers are running high. No cold calculations suggest spazzing out would be productive, but who coldly calculates anymore?
I woke up feeling a bit on the woozy side, and I’m not blaming Duvall. Even this many hours later, I don’t think I’m at 100%. Something I ate maybe; either the oyster stew or the juicer carrots.
Is this just a boring journal, like a diary, where I write about diet and flatulence (thinking of Darwin, sorry)? I’d say it’s not just that, but I do want to keep it quirkily individual, clearly written by a human and not some bot. It’s getting hard to tell anymore.
My line on AI is that “artificial intelligence” has always been with us. You’ll get that from other thinkers besides me. Improved intelligence is a direction, and means a lot of things, where “artificial” or “phony” is the other direction, pretending we have just the two (an oversimplification in other words).
More sense vs less sense: as much as some are concentrating and curating sense, so are others maybe squandering it, and maybe that’s fine.
Housecleaning matters. Old, obsolete belief systems needn’t be kept “alive” on life support. There comes a point where suspending disbelief becomes impossible. Beliefs can’t be forced, which is why we have the words “persuaded” and “convinced”. Sure, one might feign beliefs, to get ahead in the party, but if they feel forced upon one, or from one, then they’re experienced as inauthentic, insincere, and therefore prone to crumble, dust to dust.
The veggie heads (those with no brains left, heads stuffed with straw, alas) tend to stumble towards war in hopes of that making more sense somehow. They’re drawn to the flames by their sense of what’s needed: more intel.
The zombie trope is likewise nothing new. In a way, we’re all on the same page.
Tuesday, February 10, 2026
Acting Locally
This journal entry will focus on mundane matters of immediate circumstance, such as the loud noises from the construction site, which set Ruby aquiver, and an ask to be held in her guardian’s arms, Mazur, visiting from out-of-state (more northward in Cascadia).
Thursday, February 05, 2026
The Videodrome (movie review)
You might imagine I’d seen this by now, or at least heard of it. Why? Because I extol eXistenZ, another Crononberg film that came out around the same time as The Matrix, and received less notice.
Coming from that background, of having seen eXistenZ more than once, you’ll appreciate how much I found The Videodrome (another “The” movie, like a noir) to be its precursor.
I’m sure critics have already gone to town with the observation, cashed it in so to speak, but to me, a recent initiate, it’s all new. I haven’t read what the critics say nor consulted Perplexity regarding this film. I was blindsided, as they say.
The Criterion Collection 2nd disc (this was from MMU) contains a lengthy (23 min) panel discussion in which Cronenberg and a couple other directors have a moderated panel discussion of the MAA’s movie rating system: G, PG, R, and X. Quite a bit has changed since then.
Cronenberg, from Canada, with even harsher UK-based censorship, was pushing for a rating between PG and R (right?) and since then we’ve seen TV14 appear. Also, X is now MA (Mature Audiences).
The Videodrome is talking about viewer-voyeurism, how the observer is drawn in, in this case Civic TV, a “small station” i.e. literally a “little me everyone” (meaning “Everyman” in the language of Chaucer — in the namespace of learning about Chaucer & Co. in a school setting, I shoulda said).
Everyman can’t take his eyes away from the public hanging or guillotine extravaganza or whatever it is, and this satellite TV show outta Malaysia (not slander, no worries — later Pittsburgh is revealed to be the true source (a spoiler)) is gonna be a likely hit on Civic TV, which specializes in the lurid tabloid stuff that makes money on Times Square (which has done much to clean up its image of late).
I loved the “subterranean lady” character, who still makes old-fashioned X-rated stuff, almost Victorian peep show in its naïveté. Civic TV wants more raw violence, forget the sex stuff. American Psycho might be just around the corner, stealing market share. I’d been on a Christian Bale kick earlier.
Why I liked watching this movie in the sequence I’ve been following, meaning earlier noirs (The Glass Key and The Hidden Room most recently), is partly the sense of continuity I experienced.
The viewer-voyeur (the average tax-paying voter) is being taken by the TV into the smarmy underground of hinted-at perversions and occult rituals, very Epstein. Telegenic televangelists rule somehow, in this newly emergent Donahue-Oprah world, where we get more of a look at everywoman (Everyman is all-genders, partly why he went out of style, for sounding too gender-definitive).
I can hear the lawyers now (figuratively, not “voices” no): ear piercing is the everyday business of cosmetology shops the world over, so trying to sexualize the process in erotic comedy (a serious scene judging by lighting) won’t get us an X, how could it? We’re not showing more than you’d see at an everyday tattoo parlor (sorry, body art shop).
The rules are clear (but they’re not, that’s the whole fun of it if you’re making horror films).
The lawyers are doing a lot of such thinking actually: acted-out violence for real crosses a line that grainy documentary-style violence allows, and considers important for propaganda purposes, the MAA allows it; so keep all the worst violence on television, and have viewers viewing it for context.
And when real blood and guts are involved (another line crossed?), have it all pour directly from a television, like in that Frank Zappa number. Use actual sheep guts (I thought the other guy said pig).
When we get to the ear piercing, we’re talking of-age, consenting adults, obviously, so that part is PG. Teens get their ears pierced all the time.
I’m reminded of Victorian times when, they say, curvaceous pianos needed ankle covers because Everyman was trying to stay focused and didn’t need the piano writhing like some TV console, in sexual ecstasy or whatever it was, especially during a concert with polite company present. Hallucinations might mean brain tumor, as we all know. So cover up those piano ankles already.The “eye of the beholder” is hard to capture, as it’s the one doing the beholding, but this film does a good job. It makes Mr. Civic TV be an alert, intelligent businessman, someone women find attractive. Everyman can identify. He’s like a Neo. The well-worn formulae remain intact and the movie makes money at the box office, as it’s supposed to.







