I caught this one on Prime, my curiosity piqued by a positive review from Beth, who has years of experience raising sheep in rural Oregon, and is also a retired librarian who consumes media at an amazing rate, like Rosalie does.
This so-called Mercado Group (where our book club got started) has been meeting for years and is a steady source of guidance when it comes to my studies, especially when it comes to fiction.
Sheep Detectives is a clever movie, weaving the whodunnit genre, the murder mystery, with more existential explorations of mortality. The sheep do not have an adult human’s view of death, except the older wise ones who remember stuff. Usually, sheep just want to forget.
However what keeps sheep wanting to remember are unsolved puzzles, such as who killed George, their good-hearted shepherd who has been hoping to reunite with his two kids, whom he had put up for adoption (I’ve forgotten why already, baa!).
A good memory is a prerequisite for detective work. Lilly, a loyal and intelligent sheep, teams up with the elder sheep to bring the killer(s) to justice. She fights off the temptation to go unconscious, prizing self awareness which is likewise awareness of otherness (Synergetics for Sheep could be a slide deck).
The most singular trope in this move is that of the “winter sheep”, a divergent introvert that wants to belong as a youngster but over time learns to accept its loner status, with a more distant relationship to the herd.
We have both a noob (a lamb) and a senior (older sheep) of the winter type, helping us plot the trajectory, the arc, of such an archetype, portrayed unpromising at first (an ugly duckling) but as noble and helpful to the herd’s long term survival in the end (swan).
Sheep dynamics are a kind of mind dynamics, which includes being super forgetful.
The integration of live action actors with animated talking sheep is quite impressive. These two forms of mammal intelligence, four legged and biped, seamlessly share the same sense of humanity, including a sense of loss when dear ones depart, and a wish to avenge victims of foul play by detecting the perps.
The dynamics in question map to individuals for sure, but also to more Machiavellian entities, such as states, which likewise engage in subterfuge (e.g. false flag attacks) as well as bumbling, clueless behavior. What inspires the bumbling police guy to snap out of it, finally, are the off camera (from his point of view) antics of the sheep, whom we might map to other fairy tales with invisible spirit worlds (e.g. ghosts).
