My route to The Bagdad, for the camera, was by way of a bank, as I had this new bank card, a reissue of an old one, that I hadn't activated. It ended up in the bottom of some box during a scene change. I found it and wanted to see if it was still activatable. It was. Checked balance. So then walking home I realize my timing was perfect if I wanted to see Weapons. I'd made up in my head what I thought it was about, but I was way way off. Someone on YouTube said it was good, so I decided to check it out, really having no idea what I was getting into. I thought it might be a cartoon. Something silly.
What I wanna take credit for up front, as having figured out all on my own without seeing this in any review first, is I got the allusion or tribute or building upon or whatever vs-a-vs Gus Van Sant's Elephant. And by that I mean something specific: we follow multiple characters in series but go over a territory wherein everything was happening in parallel, and when we get to key junctures, we see exactly the same scene but now from the angle of this other character.
For example, we see a drugstore cowboy type, into petty theft to support his habit, trying to pry his way into some apartment. We don't get his backstory at all the first time, and the first time we see him trying to break in, from an alleyway, it's from the point of view of the cop, the teacher's lover, and in the doghouse with his wife. We've already followed the teacher in detail at this point. Later we'll follow the drugstore cowboy. This time we'll see the cop looking back at us, from the end of the alley. We follow the petty thief as he runs away, and there's the cop car, which previously we'd been looking out of. Very clever. Same as in Elephant but even more spectacular.
The only other thing I'll say about this film is it's very competent and knows the genre, which is horror. The setting is mundane middle class America, our suburban USA, with prosaic nuclear families and their variously styled big box houses. That's a great setting for horror. The contrast between the safety and security these power nesters seek, and the deep psychic disruption of the Salem witch aspect of American village life, takes us over the cuckoo's nest more than a few times.
