Took some fancy footwork (Trimet assissting) but I got there in time, with a preview to spare. This was at the end of the hall in the multiplex out in the infamous parking lot (across from the LC mall), where those crooks stole my Dawn's Suburu during Troy that one time.
She's in top form, dear Jodie as Kyle, sprinting the length of a very long jet, a few times, adrenalin pumping, every emotion in gear, single minded, to find and rescue her missing child.
Hints of Red Eye, sure, but also, for me, a strong hit of Sigourney Weaver as Ellen Ripley, what with her nakedly aggressive bias (pro-human), which audiences know and recognize. We love our children. We fight for them.
The difference being: in this film, the heroine is not up against space aliens, but immigration aliens, i.e. us, the human types. And we're scary enough. We're all those other people on that plane, with our own private losses and dramas. We secretly admire Jodie's character, because she's strong, willful, even right, i.e. a goddess protectress, an incredible.
My insider take is that the movie blatantly lied about aircraft architecture outside the double- deck cabin, territory Jodie's character supposedly knows well. Like that Cray- like supercomputer beneath the cockpit? A pure archetype. Or hey, maybe she really was crazy and wakes up later in bed in some Arnold Schwarzenegger scifi -- or in eXistenZ (caught David Cronenberg's interview with Terry Gross the other day, wherein parent-child separation anxiety was also a theme).